Before I started working as an art installer and crate builder, the extent of my art education was punk and transgressive zines like re/search, and later Larry Reid's COCA in Seattle. It was on the docks of art institutions, in the homes of the 1% collectors, and in our wood shop and vaults that SAIC students taught me art history and appreciation.
Today my EbM collaborators and our many friends continue my education. I am still, however, thrillingly drawn to the backside of art.
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